M Blog
M Blog – Vintage Leedy & Deagan Instruments
Do you have a question about a vintage Leedy or Deagan Instrument? It could be a question about the history of Deagan or Leedy or perhaps a query about an instrument you've found that you may want to sell, or even a request for more information on a vintage Deagan or Leedy such as a: xylophone, marimba, marimbaphone, xylorimba, glockenspiel, chimes, vibraphone, timpani, sound effects, novelty instruments, pipe organ bars or catalogues. You may have encountered a brand that you aren't familiar with like Jenco, Galanti vibraphonette, E. R. Street, Wurlitzer, George Stone, Jähne & Boruvka or Spenke & Metzl. Whether you need help with a problem you are having, how to price an item or find parts, post a comment here and Shannon Wood, Founder & CEO of MalletShop, will answer back here.
Shannon Wood founded MalletShop in 1997 and is often hired to appraise vintage mallet percussion instruments by symphonies, schools, auction houses and individuals. Shannon is currently the Principal Timpanist of the St. Louis Symphony. He has a thorough knowledge of these instruments and has a passion for collecting and preserving their legacy.
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Shannon Wood's Response:Hi John, you can email us at info@malletshop.com and we'll set you up!
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Shannon Wood's Response:Hello, thank you for contacting us. Can you email us photos at info@malletshop.com Thank you!
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Shannon Wood's Response:Hi Sean, thanks for contacting us. Check out our Deagan Archives. The Specials were made between 1910-20. Hope this helps.
https://www.malletshop.com/deagan-archives/-deagan-special--orchestra-bells---flat-top-bells
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Shannon Wood's Response:HI Jake, can you email us photos of it? Email: info@malletshop.com
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Shannon Wood's Response:Hello Joe, thanks or the reply. Can you email us photos at info@malletshop.com ?
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Shannon Wood's Response:Hello Cameron, we'll reach out to you. Best - sw
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Shannon Wood's Response:HI Brandon thank you for contacting us and sharing the images.
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Shannon Wood's Response:HI Steve - thank you for contacting us. Sure, send us photos! Email is info@malletshop.com
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Shannon Wood's Response:Hello Marc, sure Email us directly at info@mallletshop.com best - sw
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Shannon Wood's Response:Hello Jennifer, sure, email us directly at info@malletshop.com Send photos as well. -sw
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Shannon Wood's Response:HI Amber thanks for contacting us. You can email us directly at info@malletshop.com and we might be able to get you rubber tires.
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Shannon Wood's Response:Hello Randal, thanks for contacting us. Email us directly at info@malletshop.com We may be able to get you rubber tires.
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Shannon Wood's Response:HI Wendy, sure, email us directly at info@malletshop.com Send us a photo of the instrument and we can likely identify it for you! - sw
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Shannon Wood's Response:Hello, thanks for contacting us. Email us photos at info@malletshop.com and we'll help you identify it. - sw
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Shannon Wood's Response:Hi Jack, thanks for contacting us. Yes we can likely help you out. I'll send you an email directly - sw
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Shannon Wood's Response:Hello Vic - yes could you send us photos at info@malletshop.com and let us know the width of the bars, as well as the thickness. If you know the range C5-C8 for an example, that would be helpful too. If you do not know the range, send us an audio file or the lowest and highest note or the length of those two bars. Thank you - sw
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Shannon Wood's Response:HI BJ - the bars are likely Honduran Rosewood. Hope this helps.
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Shannon Wood's Response:Hello Kim, the 1103 was made in the mid 1970's. Value is based on condition. I'll respond to you by email. Best - sw
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Shannon Wood's Response:HI Sandy - you can email us photos at info@malletshop.com Best - sw
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Shannon Wood's Response:Hello Ray, Musser lacquered the bars in the 50's and then changed over to anodized bars in the 60's so your bars were likely anodized.
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Shannon Wood's Response:HI Bryan, thanks for contacting us. We can have a frame made for you, but the early frames were either an accordion style rack or L bar rack.
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Shannon Wood's Response:Hello Stephen, can you send us a video of this to our email info@malletshop.com - thank you sw
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Shannon Wood's Response:HI Craig, thanks for contacting us. Can you send us photos? info@malletshop.com - thanks sw
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Shannon Wood's Response:HI Mallory, I'll email you a photo for the 1949 catalogue and answer your questions directly. Thanks for contacting us.
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Shannon Wood's Response:Hello Doris, thanks for contacting us. I'll get back to you directly re: your photos.
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Shannon Wood's Response:HI Kurt, we came across one a bit ago. If we come across another, I'll reach out to you.
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Shannon Wood's Response:Hi Gary, you can email us directly at info@malletshop.com and we'll help valuate your instrument.
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Shannon Wood's Response:Hello Jerry, thanks for contacting us. Can you send us photos? Has it been re-tuned? You can email us at info@malletshop.com
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Shannon Wood's Response:HI Rachael, I'll send you an email with instructions on how to obtain those parts. Thanks for contacting us! - sw
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Shannon Wood's Response:Hello Alana, thanks for contacting us. I'll email you directly and see if we can help you out! Best - sw
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Shannon Wood's Response:Hello Sarah, we'd be happy to help. Email us at info@malletshop.com and we'll help set you up with a replacement part. - sw
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Shannon Wood's Response:HI Pam, thanks for contacting us. Email us directly at info@malletshop.com and send us photos and your location. We'll see if we can either buy it outright, or service it and list it for you on consignment. Best - sw
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Shannon Wood's Response:Hello Johnny, we can easily repair that bar for you. Email us at info@malletshop.com - sw
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Shannon Wood's Response:Hello Brian, our site has a "Deagan Archival" which has most of the models listed, their year manufactured, and other pertinent information. The 730 is a Xylorimba (xylophone in upper range / marimba in lower range. They are more novelty than useful. Boulez wrote for this instrument, but for the larger extended range models. Pit percussionists find them useful if they need both sounds but have limited space, assuming the range works for the score. Look under the 'hamburger' menu icon, top right corner of home page. Ajax were manufactured by Boosey & Hawkes in London, England in the later-mid 1900's. Some of their frames resembled Leedy frames. They're not as popular as Deagan / Leedy / Musser but they are good instruments. Feel free to send us photos - info@malletshop.com - if you need more assistance evaluating it. -sw
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Shannon Wood's Response:HI Pete, thanks for contacting us. We have a set of 1980's Musser legs in stock. These are a very hard plastic (not aluminum) Musser designed and offered at that time on this model. We ordered aluminum legs from Musser for our customer who preferred metal legs. If you'd like these, email us at info@malletshop.com - sw
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Shannon Wood's Response:Hello Jeanette, we can help you with those. I'll email you directly. Best - sw
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Shannon Wood's Response:Hello April, thank you for contacting us. You can email us directly at info@malletshop.com and we can help you sell it or either buy it outright to service/restore and sell on our site.
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Shannon Wood's Response:Hello Jacqueline, thanks for contacting us. We do offer appraisals with official company letterhead if needed, otherwise we can give you an estimate range by email if you send us photos, description of condition and report of any work done in the past on it, including re-tuning. Email us at info@malletshop.com - best sw
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Shannon Wood's Response:Hello Mike, thank you for contacting us. Yes I'll email you directly re: acquiring these. Best - sw
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Shannon Wood's Response:Hi Emilio, yes email us at info@malletshop.com and we can help you out! -sw
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Shannon Wood's Response:HI Rebecca - thanks for contacting us. Yes we can help you out. Shoot us an email at info@malletshop.com and we'll get you the parts you need. - sw
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Shannon Wood's Response:HI Tommy - thanks for contacting us. Jenco made instruments in the 50-60's. There are not any records to check serial numbers, but it would be a mid-century era instrument. Hope this helps! - sw
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Shannon Wood's Response:HI Peter, thanks for contacting us. That is a marimba. Pricing/value really depends on condition. If you have photos, email them to us at info@malletshop.com - best sw
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Shannon Wood's Response:Hello Ron, thanks for contacting us. Sure, email us photos and we'll go from there. (info@malletshop.com) Best - sw
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Shannon Wood's Response:HI Charles, any non-abrasive metal cleaner that doesn't have any harmful chemicals such as Flitz would work. Hope this helps!
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Shannon Wood's Response:Hello Nico - Billy Dorn (William Dorn) mallets were made in the earlier part of the 20th century. They are nice mallets. I have a few pair. Hope this helps! -sw
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Shannon Wood's Response:Hello Thom - thank you for contacting us. Can you email us some photos? (info@malletshop.com). Also, let us know the model number. You can find it engraved on the low bar, as well as stamped on the ends of the resonators and end pieces on the inside. - sw
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Shannon Wood's Response:Hello Kyle: please email us photos at info@malletshop.com and we'll take a look at its condition and give you a ballpark value. We might be interested in buying it outright for restoration / resale as well. Best - sw
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Shannon Wood's Response:Hello Carlos, thanks for contacting us. Yes, email us at info@malletshop.com and we'll get you set up with one. Best - sw
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Shannon Wood's Response:Hello Steve, send us an email at info@malletshop.com and I'll see what we might have for you. Best - sw
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Shannon Wood's Response:HI Eileen, thanks for contacting us. Could you send us photos at info@malletshop.com as well as the bar width (1" or 1 1/4" wide etc). I'll check our catalogues and see what I can dig up for you.
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Shannon Wood's Response:Hello John, thanks for using our M-Blog. Try pctimpani.com or fallspercussion.com - They may have some Ludwig third wheels. You can also check with Weiss to see if the newer third wheels will work. A later generation Yamaha third wheel work on earlier models. Best - sw
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Shannon Wood's Response:Hello Pamela. Thank you for contacting us. Yes, please email us photos, your location, and the model number if known. It should be engraved on the lowest (longest) wooden tone bar. Thank you, Shannon
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Shannon Wood's Response:Hello Paul, yes we do buy outright for restoration / resale on our site. Please send us photos and we'll go from there. Just email them to info@malletshop.com Thanks for reaching out! - sw
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Shannon Wood's Response:Thanks for contacting us. Are the tubes 1 1/4" or 1 1/2" in diameter? What's the range... 1.5 octave C-F? Are the tubes brass or chrome plated? Is the dampner box working? Are there any cracks in the caps? Do you have photos? Feel free to email us back re: these questions / photos. Thanks - sw
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Shannon Wood's Response:Hello Cassandra - thank you for contacting us. Please email us photos at info@malletshop.com We'll talk you through a possible consignment selling process or purchasing it outright. Thanks - sw
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Shannon Wood's Response:Hello Rod, thank you for visiting our Blog! The No. 844 was manufactured in the 1920's. It's tilt-able which made it ideal for vaudeville pit work since it could be set up near a drum set and angled so the drummer could remain at the kit and play other necessary percussion instruments. -sw
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Shannon Wood's Response:Hello Dustin, thanks for contacting us. The Leedy 5614A is from the 1930's. We have one on our site currently. Hope this helps, -sw
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Shannon Wood's Response:Hello Wes, the No. 840 is a Professional Drummers' Xylophone 3 C-C with 1 1/4"x3/4" Honduran rosewood bars manufactured between 1929-32 and sports a Tilting device so drummers can set it up next to their kit. Feel free to email us if you have any other questions - info@malletshop.com - sw
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Shannon Wood's Response:Hello Michael, send us a photo and well see what we can do. -sw
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Shannon Wood's Response:Hello Rick, thank for contacting us. Yes we can help you with those items. I''ll send you a separate email. Best - sw
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Shannon Wood's Response:HI Richard, thanks for contacting us. The serial numbers do not give us any information since those company books are long gone, however once we know its condition, we can better help you value it. Emails us at info@malletshop.com - best sw
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Shannon Wood's Response:Hello Garren, thanks for contacting us. If you can, email us photos at info@malletshop.com and we'll see if we can determine what you have. Thanks - sw
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Shannon Wood's Response:Hello Melissa, I received your photos via info@malletshop.com - Thank you for contacting us. It looks like you have a Leedy snare drum case, or possibly a tom-tom case. In either 'case' lol, it holds a drum: snare or tom-tom. These were made in the early 1900's, and are vulcanized fiber. Hope this helps! Best, Shannon
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Shannon Wood's Response:HI Pam, definitely, just send us an email info@malletshop.com and I'll reply back with a number to text - best sw
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Shannon Wood's Response:HI Pam, the bars do not contain silver. They are made from steel. Hope this helps, - sw
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Shannon Wood's Response:Hi Kristen, can you send us photos? 425 sounds more like a serial number. We'll be happy to help identify what you have. -sw
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Shannon Wood's Response:Hello Austin, thanks for contacting us. You can email us directly at info@malletshop.com and we'll take care of you. - sw
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Shannon Wood's Response:Hello Marty, Thanks for contacting us. Bodine is the motor manufacturing company. You might find a model number on the tag along with a serial number, otherwise a photo might help us determine what you have. Can you email a photo to us - info@malletshop.com
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Shannon Wood's Response:Hello Alessandra: If you just want to clean them, use lemon oil once a year and during the rest of the year a damp cotton cloth. If you would like to refinish them, you should have a professional bar tuner refinish them since it will also affect the tuning. - sw
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Shannon Wood's Response:HI Cheryl, sure happy to help. Send us photos at info@malletshop.com and we'll help you identify the model and value based on condition. Thanks - sw
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Shannon Wood's Response:Hello Desiree, thanks for contacting us. Can you email us photos of your Deagan No. 4720? This will help us with determining value. Thanks - sw
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Shannon Wood's Response:Hello Gina - thanks for contacting us. Email us photos and we'll happy to help you identify its value and direct you in repairing your marimba. - sw
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Shannon Wood's Response:HI David: was this the Ebay listing by FallCreek Marimba? That instrument will need a complete restoration. The bars that are corroded will need to be re-fabricated as you point out. Any unavailable parts will need to be fabricated. It may need a new motor. You can email us directly at info@malletshop.com and we'll go from there. Best - sw
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Shannon Wood's Response:Hello Robin, thanks for contacting us. You can email us at info@malletshop.com and we can help you with getting the parts you need. - sw
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Shannon Wood's Response:HI Rachel - send us photos and we can get a better look at your instrument. Leedy to sub-contract other companies as did a number of other known manufacturers. - sw
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Shannon Wood's Response:Hello Dan, send us photos at info@malletshop.com and we'll be happy to help. -sw
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Shannon Wood's Response:HI Martin, thanks for contacting us. Can you send us some photos of what you have? Best - sw
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Shannon Wood's Response:Hello S.V. - each 870 was handmade so they vary slightly but the basic A frame 870 measures around 36.25" from floor to top of naturals. We can customize heights if you're looking for something taller. - sw
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Shannon Wood's Response:HI James, thanks for contacting us. The No. 512 is a "Performer" model bars 3/8-1 1/4x1/2 manufactured from 1964-76. Similar to the 511 but saw a design change. Hope this helps - sw
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Shannon Wood's Response:Hello Mike - I'll email you directly. We have a few possibilities for you. - sw
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Shannon Wood's Response:HI Nancy, I'll email you directly to address your concerns.
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Shannon Wood's Response:Hello Heather, - sure send us photos and we'll be happy to help.
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Shannon Wood's Response:Hello Julie: If there is a crack in a bar we break it (clean break) and then re-glue it using a vice. Hope that helps! Best, - sw
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Shannon Wood's Response:Hi John, thanks for contacting us. Yes you can email us at info@malletshop.com We'll help you figure out what you have. Best - sw
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Shannon Wood's Response:Hi Ed, thanks for contacting us. You can email us photos at info@malletshop.com and we'll look at its condition and see what we can do to help bring this back to life.
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Shannon Wood's Response:Hello Beverly, you can get them from one of our restorers directly. Just send us an email (info@malletshop.com) and we'll get you in contact with him. - sw
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Shannon Wood's Response:HI Mark- thanks for contacting us. The early bars were lacquered. Later they were bleached and stained for uniform coloring. Hope this answers you question, best - sw
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Shannon Wood's Response:Hello John, thanks for contacting us. If you can send us photos of what you have, (organ vs aluminum chimes) we can dig up some photos for you. Hope this helps - sw
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Shannon Wood's Response:Hello Steve thanks for contacting us. You could use Flitz or any other non-abrasive metal cleaner or as you say, leave it alone if you like the patina. We can make replacement parts in most cases, or use original parts from instruments that come in which are retained as 'part instruments'. Once you know what you need, email us at info@malletshop.com and we'll see what we can do to help you out. best - sw
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Shannon Wood's Response:Hello Teresa, thank you for contacting us. The foot pedal should have a spring that connects the upper linkage rod to the dampner bar. This would need to be unhooked. Each model varies but that is a general method for disconnecting a pedal. If you have photos/model you can email us at info@malletshop.com and we can reply with a more specific answer if needed. Best, - sw
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Shannon Wood's Response:Hello Gerald, Thanks for contacting us. I would recommend using lemon oil to clean the bars (once a year) and then just a clean, dry cotton cloth for periodic cleaning. Hope this helps, - sw
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Shannon Wood's Response:Hello KJ, thanks for contacting us. We sell these. Email us at info@malletshop.com and we'll help you out! Best - sw
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Shannon Wood's Response:Hello DJ - thanks for contacting us. Can you email us photos at info@malletshop.com ? We'll help determine what you have and guide you in anyway needed. Best - sw
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Shannon Wood's Response:Hello Yttermayn:
It's difficult to see detail from the 3 photos, but it could be a Leedy with a number of after-market, custom made fixtures making it a challenge to decipher. Send us an email at info@malletshop.com and we can point you in the right direction for some parts. - sw
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Shannon Wood's Response:HI Don - thanks for contacting us. It's Honduran rosewood. Some of the stains Deagan used were darker and on the Imperial, Diana you do see darker stains. Let me know if you have any other questions.
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Shannon Wood's Response:Hello Logan, thank you for contacting us. During WWII many of the factories had to use different materials during the metal ration and so most of the No. 36 models do have condensed fiber (cardboard) resonators. The frames are all wood and the bars are fairly narrow. Some owners must have had their instruments either upgraded to metal resonators at a later point or the models after before or after the war were manufactured with metal resonators, because we do find them, although most have the condensed fiber resonators. If you'd like to email us directly at info@malletshop.com we can discuss value/options etc. Thank you - Shannon
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Shannon Wood's Response:HI Phillip, you can contact us by email (info@malletshop.com) and we can help you get a replacement bar. Best - sw
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Shannon Wood's Response:Hello Hans, we didn't receive an email from you re: a xylophone. Did you email us at info@malletshop.com
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Shannon Wood's Response:Hello Howie, yes we do have a Jenco Celesta. The model we have currently is the 4 octave upright. You can find it on the site under celesta. Let me know if you would like to purchase it. - sw
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Shannon Wood's Response:HI Glen, you can contact us by email <info@malletshop.com> and we'll help you out -sw
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Shannon Wood's Response:Hello Randy - the 5614 is a marimba if I remember correctly. I'm not at my office this week to confirm with catalogues. The serial number wouldn't give you any info since those records are long gone. Value is always tricky to pin down without seeing photos, knowing if all parts are original, and if any work has been done previously and by whom. If you acquire photos, I'd be happy to help. Best - sw
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Shannon Wood's Response:Hello Tamara - thank you for contacting us. Can you email us at info@malletshop.com We can help assist you and may possibly be interested in purchasing it outright. Best - sw
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Shannon Wood's Response:HI Rob, can you send us a photo of your xylophone and how you have it set up? It's hard for me to picture what you're describing. I can send you a photo of how it should be set up. The height of the bar is just enough to clear the felt runner. If they are eyelets, they usually barely rest on felt. If they are posts, they do rest on felt. The string should be tight so keep the bars from moving around. Taut will suffice. I'll look out for your email response. - sw
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Shannon Wood's Response:Hi Ted, the best avenue for a motor replacement is to find a comparable wattage / hp and size. I'd check with some small fan motor companies. You can possibly send it in and we could see if it's repairable but a local motor / small engine or even fan repair company could do the same. As far as grommets, string etc you can contact us by email and we'll point you in the right direction. Have you seen our re-design, Gigster - check out the site?
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Shannon Wood's Response:Hello Angelo, yes we do. You can contact us directly at info@malletshop.com We use these bars for Deagan Parsifal restoration projects and also for custom Parsifal fabrications. Best - sw
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Shannon Wood's Response:Hello Janet, we'd be happy to help determine what you have. We specialize in vintage Deagan and Leedy instrument sales and preserving their legacy through restoration and preservation. Send us an email info@malletshop.com
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Shannon Wood's Response:HI Mitch - shoot us an email at info@malletshop.com and we'll help set you up with post replacements.
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Shannon Wood's Response:HI Heather, thanks for contacting us. We may have replacement bars in stock depending on your model marimba. Otherwise we can make bars to match from old stock. Email us at info@malletshop.com
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Shannon Wood's Response:HI Kurtis
Thanks for contacting us. I believe you sent us photos directly via our site. If you have further questions, please do not hesitate to contact us.
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Shannon Wood's Response:Hello John, thanks for contacting us. The tabs on the brackets of Leedy key-beds usually break off, bend or wear in such a way that they no longer support the weight causing sags. Most likely this is what has happened. You can try using a shim or send in the resonators for repair but most likely we'd need the instrument to make sure clearance is accurate to avoid shipping back a set of resonators that still sag. This is the likely issue. Hope this helps. - sw
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Shannon Wood's Response:HI Laurel:
The Deagan No. 40 is a "Diana" 4 octave made between 1939-42. There isn't a record that still exists of the number made but there were many during those 4 years. You can set it up and replace the insulators afterwards. I'll email you info on where to acquire insulators. - sw
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Shannon Wood's Response:HI Barbara, I believe the wood is maple. I would suggest bringing a rail into a wood shop / supplier and they can easily determine the wood by looking at its grain. Hope this helps.
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Shannon Wood's Response:HI Neil - thanks for contacting us. The Musser bars have a different graduation than the Jenco's so most likely the parts would not be interchangeable. However we may have some used parts that might work for you. I'll send you an email directly. - sw
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Shannon Wood's Response:In general use a non-abrasive metal cleaner for the resonators & rack (like Flitz or the like), and for the bars once a year you can use lemon oil. You can otherwise use a damp cloth to wipe dust from bars. I would not attempt re-tuning them. The key-beds can be cleaned with lemon oil.
The date stamps are only patent dates. Serial numbers on any tag you might find are obsolete since the original books are not accessible. The model number however would give an indication of what you have for example No. 872. It's engraved on the lowest (longest) bar and is also stamped on the ends of the resonator rails at the low end, and on the 'dog' tags which if present would be on the end piece (low end). Hope this helps - sw
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Shannon Wood's Response:HI Michelle, thanks for contacting us. The restoration process is a very detailed, lengthy process which involves skilled artisan work. It would be difficult to write out all the steps involved and the materials/treatments/finished used for each component. I would recommend having this done by a skilled restorer to avoid devaluing the instrument. If you need recommendations, we can recommend several sources depending on your location. Best - sw
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Shannon Wood's Response:HI Hernan - I'll email you info! best - sw
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Shannon Wood's Response:HI Rob: I'm curious who suggested that the bars would not be able to be brought down to concert pitch. Re: Aurora or like bars - we would need that set to see if the lengths, width and nodal points line up. RE: commissioning a set - it can be expensive making bars from scratch - $1,200-1,500. It might be better to trade-in what you have as 'parts' towards the purchase of something we have so you retain value. The Jenco in general are less desirable and you may be better off trading it in towards the Jenco we already have ready to go or a Deagan on the site. - sw
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Shannon Wood's Response:Hello Shelly, we can get you a pack of these. Email us at info@malletshop.com We often change these out for open hole posts. Have you considered this? - sw
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Shannon Wood's Response:HI Mike, sounds like you might have a glockenspiel. Can you email us photos (info@malletshop.com)? Once we receive photos, we can see its condition more closely and help direct you better. - sw
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Shannon Wood's Response:HI Mitch
These brackets tend to wear causing the sagging you are experiencing. You can put some felt between the keybeds to keep them from buckling or under the bracket to lift it upward. That would be the quickest and easiest way to fix this.
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Shannon Wood's Response:HI David, thanks for contacting us via M-Blog. Insulators are often dried out after all these years, but they are easily replaced. Email us at info@malletshop.com and we'll get some sent out to you.
The value would alter if you changed the original coloring. We restore to spec to retain value. Even so it may not be much of an impact to a non-collector or non Deagan afishionado. If you plan on keeping it, and the refinishing is quality work, I wouldn't worry too much. If your plan is to sell it, I'd recommend restoring it to original specs.
Hope this helps, - sw
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Shannon Wood's Response:Pre-80's. The earlier models from the late 20's-50's are even more special.
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Shannon Wood's Response:Hello Pascal, thank you for the compliments. 1. Graduated bars refers to a wide bar at the low end, graduating in various increments to a narrower bar width at the top end. Ungraduated, or uniform bars, have the same width throughout. 2. As far as same size bars vs various size bars, the size of the bar is really a personal choice. The smaller the bar size, the smaller the instrument which can be more transport friendly, conversely the large size bar instruments can be more cumbersome to transport. The large bar does provide more volume. If you are amplifying your instrument, it may be a moot point. The larger size bar also may help with accuracy as the smaller bar is a smaller target. 3. The tonal differences between the brands and models greatly vary. In general, the older alloy has warmth and cutting edge due to the alloy used at the time. The vintage Musser, Leedy, Deagan and Jenco sound different compared to the later year models due to this alloy variance. The later models tend to sound more mellow, warm without the cutting edge of the earlier models. 4. Repairing motors is practical and possible. We do replace them when needed but we often have them repaired if able.
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Shannon Wood's Response:HI David, thanks for contacting us. Deagan used both Honduran Rosewood and Cocobolo. Leedy used Honduran Rosewood. There may be some other woods each company used on some specific models but these two woods were the most prominent woods used.
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Shannon Wood's Response:HI Gene, sure just send us photos and we'll see what you have, help evaluate it and review several next steps for you to consider.
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Shannon Wood's Response:HI Mack, yes you can send us photos of both your vintage Deagan glockenspiel and vintage Leedy xylophone and we'll help determine what you have as well as value. Looking forward to hearing from you.
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Shannon Wood's Response:HI Aaron, thanks for contacting us. Send us photos and we'll estimate value for you. Our email is info@malletshop.com - sw
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Shannon Wood's Response:HI Daniel, thank you for contacting us. No. 350 is a model number so most likely it is a No. 350 since the bar is marked, but it could have been interchanged with other parts, hard to know without seeing it.
See link here https://www.malletshop.com/deagan-archives/deagan-marimbas
But more to the point, a No. 350 restored is worth about $1,000-1,200. It's a 3 octave F-F, small range in comparison to today's standard which is a 5 octave. If your plan is to keep it, then restoring it for your own uses makes sense to persevere its longevity however it would most likely cost more than its value for a complete restoration. If your concern is to not be upside down at a later point so you could sell it, restoring it wouldn't make sense. Feel free to email us directly if you want to talk about it in more detail. - sw
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Shannon Wood's Response:HI Tim, thanks for contacting us. The Leedy No. 641 was a Solo-Tone series marimba that was first advertised in a 1917 Leedy Catalog I and last advertised in Catalog R from 1928. The serial number would indicate the year within that range but those records are not available any longer. So your marimba would be from 1917-1928. Hope this helps.
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Shannon Wood's Response:Hello Alfonso, thank you for contacting us via our M-Blog. If the number on the tone bar is 561 this would be a glockenspiel. We would be interested. Please send us photos and we can confirm and discuss purchasing these from you directly.
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Shannon Wood's Response:HI Robert, thanks for contacting us. Send us photos and we'll be happy to help evaluate your marimba.
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Shannon Wood's Response:Hi Robert, thanks for contacting us. Could you email us photos? Value is contingent on model, condition as well as history of work. Photos would help detail much of this. Send us an email and we'll go from there. Thanks - Shannon
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Shannon Wood's Response:Thanks for contacting us Michael. Can you send us photos of your Leedy marimba and its history? You can email them @ info@malletshop.com
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Shannon Wood's Response:Hi Sally, thank you for your inquiry. We use these bars for fabrication projects. Send us photos and we'll determine exactly what you have.
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Shannon Wood's Response:Hi Grayson, I have seen these in the past. They were made circa 40's. What size bar width do you have? Is the range a 3 octave F-F? If you have photos, please send them and we can help evaluate it for you.
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Shannon Wood's Response:HI Brian, Leedy revamped their vibraphone in 1929 with aluminum bars and a dampner pedal. I believe it was a model 5650.
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Shannon Wood's Response:Hello Kendra, thanks for contacting us. The No. 590 is an Imperial Nocturne from the 50's. It is always challenging to guess values without seeing an instrument either in person or via photos but we sell this model restored (retuned, refinished, new motor, insulators/springs/string) in top mechanical condition between $4,200-5,500 depending on how it comes out. Generally we pay between $1,200-1,800 for them "as-is" prior restoration. If it is in all original condition, excellent shape, no rust/oxidation/discoloring and the motor works and is quiet, you could pay up to $3,500 +/- for it with cases. It's possible it could see a higher price if it was mint and well preserved. If you email us photos, we can go into more detail otherwise hopefully this is a good guide for you. Best - sw
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Shannon Wood's Response:HI Glenn -- thanks for contacting us. Could you email us photos to info@malletshop.com We'll view your photos, condition and get a sense of its value. We do purchase outright for restoration. Look forward to your response. - Shannon
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Shannon Wood's Response:HI Kurt - if you need anything further let us know.
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Shannon Wood's Response:Hi Kurt, thanks for contacting us. Does your No 5604 have the oyster finish? Assuming it is in restored, original oyster finish and in beautiful condition, its value would be somewhere between the mid $2k range and $3k provided the bars are very clean, no indentations or repair splinter work, and only one tuning post original tuning. This is contingent on who did the restoration work and tuning as well as the quality or their work and trueness to original specs. Hope this information is useful. You can email us directly if you have any further questions or would like assistance in selling it. Best - sw
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Shannon Wood's Response:Hello Andy, glad you found us via our M Blog. Yes we'd be very interesting in seeing which vintage Leedy vibraphone you have. We specialize in the restoration and preservation of these vintage Leedy instruments. Looking forward to your photos.
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Shannon Wood's Response:HI Mark, definitely. Send some photos our way and we'll see what you have exactly.
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Shannon Wood's Response:HI Sandy, thank you for contacting us. Please send us photos, I'd be happy to view what you have and we'll certainly find a good home for it. Our mission is to preserve the legacy of these vintage instruments and find new homes for them.
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Shannon Wood's Response:HI Lisa, thanks for contacting us. Can you send us photos? This will help identify what range instrument you have and help determine the best plan of action. You can email us at info@malletshop.com
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Shannon Wood's Response:HI James, thank you for contacting us. Glad you found us via M-Blog. Please do send us photos info@malletshop.com We'll take a look at condition et al and give you an idea of value. Thank you - sw
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Shannon Wood's Response:HI Alice, thanks for contacting us via our Blog. We do re-purpose Deagan racks. I'm curious whether it's a wheel-less rack - "A" frame or wheel rack. Please send us photos at info@malletshop.com and we'll see what you have exactly. It could be a xylophone, marimba or even glockenspiel rack.
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Shannon Wood's Response:HI Jack, thanks for contacting us. The Deagan No. 928 is a wonderful xylophone. Yes, please do send us photos. We'll evaluate it and make an offer. We specialize in restoration and preservation of Deagan vintage instruments and find new homes for them.
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Shannon Wood's Response:HI Adam, very cool. We rarely come across the De Luxe vintage Deagan xylophones. Send us photos and we'll give you a ballpark figure of its value in its present "as-is" condition.
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Shannon Wood's Response:HI Cindy, thank you for contacting us via our M Blog. We'd be happy to view photos to help you identity what model vintage Leedy xylophone you might have. We'll await your photos.
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Shannon Wood's Response:Hello Jerry, we would be happy to help identify the vintage xylophone you have. It sounds like it might be a vintage Deagan marimbaphone. Please send us photos.
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Shannon Wood's Response:HI Jim, thanks for your M Blog comment. Yes we would be interested in this particular instrument. Please send us photos and we'll help you determine what you have exactly. We specialize in the restoration and preservation of these wonderful instruments so they can be heard for many more years to come.
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Shannon Wood's Response:HI Sue, yes we can. I'll contact you directly and we'll review what you have in mind for your newly found Leedy xylophone and how we might be able to assist.
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Shannon Wood's Response:HI Dave, thanks for contacting us. Glad you found us through our M-Blog. We specialize in preserving the legacy of these vintage instruments through minimal servicing to full restorations. We find new homes as well ranging from individuals to symphonic settings, studios, educational institutions, private collections etc. I'll send you an email directly and we can consider several avenues for you to help you decide what is best for you and your family.
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